From Terry Teachout, recently published in the Wall Street Journal:
"Yes, it's important to shoot high, but there's a big difference between striving to do your best day after day and deliberately setting out to make a masterpiece. What if Welles had gone back to Broadway after "Citizen Kane" and directed "A Midsummer Night's Dream" on a bare stage, with no expensive bells and whistles? Or if Bernstein had followed "West Side Story" with a fizzy musical comedy that sought only to please? Or if Ellison had gritted his teeth, published his second novel, taken his critical lumps, ignored the reviews, and gone back to work the very next day? Then all of those gifted, frustrated men might have spared themselves great grief -- and perhaps even gone on to make more great art."
Read the complete article here...read on...
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